Machines are Patient – flash fiction

The engineer tapped his power transmitter, causing lights to come on for the first time in a thousand years. “Welcome to the last outpost of human civilization on Earth,” he told his companions.

“What is this place?” the reconnaissance party commander asked.

“It’s an underground control bunker,” the fleet historian answered. “It controlled all the nuclear missiles for this alliance. At the outbreak of war, the other alliance struck first. For some reason, still unknown, this alliance never fired its missiles back. We suspected it was because their command and control was knocked out. But as you can see, this facility’s only blemish is a thousand years of dust.”

“What they didn’t realize was that it would only take one side’s bombs to make Earth uninhabitable for centuries,” the engineer added.

The men considered the control center, with its ancient machines shrouded in a pristine layer of dust. “It’s a miracle we were able to get a foothold on Mars before the End War,” the engineer volunteered. “Otherwise this would be the last symbol of humanity left in the universe.”

“It’d be a sorry grave site for human civilization,” the historian said.

“We’re back to stay, now,” the commander assured them. “The surface has regenerated into a paradise. It has all the resources we were running out of on Mars and so many more. It was a good decision by the Council to bring everyone back.”

The men walked among the rows of machines that hadn’t seen light or life in centuries. The commander stopped short. “Look here,” he exclaimed, “there’s a light blinking on this machine.”

The others joined him. The engineer dusted off the console. “I believe that’s a printer,” he said.

“Exactly,” the historian agreed. “They used it to write onto a material called paper.” He pointed to a row of file cabinets. “Those closets are probably full of writing on paper. It was very inefficient.”

“Look, the screen is glowing.” The commander pointed to the small screen on the printer console. “It says something: ‘Paper jam in feeder tray.’ What’s a feeder tray?”

“It’s giving little picture instructions,” the engineer noticed. “The feeder tray must be this thing.” He pulled out the tray as the picture instructed.

“One of the papers is in crooked,” the historian said.

The engineer removed the flawed paper. The picture told him to close the tray, so he did. “It says, ‘Press OK button’, oh, I see it.” He pressed the button.

The men jumped backward as the printer sprang to life. It spit out printed sheets of paper on top of the ones caked in dust.

At last the printer stopped. They heard its motor ebb into silence. The historian picked up the topmost paper. All three examined it. “It looks like a list of coordinates of some sort,” the engineer declared. At the bottom of the page were the words, “End Report.”

The commander tapped the engineer on the shoulder. He pointed to a nearby machine. “Hey, is that other screen lit up under all that dust?”

“Let’s see.” The engineer wiped away the dust from the monitor. Words flashed on the screen. All three stared at the monitor as the engineer read aloud: “Target report printed successfully. Launch sequence initiated.”

Advertisements

The things we do for $112 and a cookie

Is writing fun? Cathartic? Rewarding? Are there some other motivations that make people, who are not compelled by outside forces to do this task, do it of their own free will?

Why would you spend precious time and energy on this task, when you could be playing, or sleeping, or working a second job – spending your mental powers on something that actually supplements your income?

If it’s your job to write, that’s reason enough, but what about the rest of us, who write anyway?

Is writing fun?

I’ve heard people say they love to write. Some people can write for hours on end, and emerge feeling like they’ve been to a great party. If I write for more than an hour, the party host has begun showing vacation slides, the liquor’s gone, and I’m turning cranky. Writing is hard for me. It’s a chore. There are many things I’d have more fun doing.

Is writing cathartic?

Some say they write to let out their feelings. Writing takes a weight off their souls and allows them to address emotions in ways they cannot do otherwise. I also feel better after a session of writing, but for me, it’s the same as feeling good after a workout, when you realize you have a whole day before you have to make yourself tired and sweaty again. I admit there have been a few times when writing has allowed me to get something off my chest. But my angry letters to Boston Market Corporate Headquarters probably weren’t my best work. Besides, the euphoria didn’t last past the next local chicken shortage.

angry letter

“Tell ’em we’re tired of them running out of mashed potatoes too!”

Is writing rewarding?

There are many different levels of reward. There’s the fame and fortune reward. There’s the flattering five-star review reward. There’s the how do I claim $112 in royalties on my income tax? reward. There’s the I’m really pleased with how this piece turned out, even if nobody ever reads it reward. There’s the I wrote 500 words today so I’m having a damned cookie reward. There are many levels of reward between these as well. What I’ve learned about rewards is they are all fleeting, except possibly the fame and fortune reward, which I know nothing about. Also they are scant reward for the amount of toil that created them. Writing for reward is a fool’s errand.

Why then?

I ask this a lot, because I consider myself a logical person, but there seems to be no logic in why I take on this task again and again.

I think I write because I can’t draw, or paint, or play the horn. I write because I can, though opinions may differ on this point. Writing is my one chance to leave something lasting. Yes, it’s a long shot, another fool’s errand, but what so far has led you to believe I’m not a fool?

If I write enough, maybe one little portion of my output will prove itself to be beautiful and I will have something to show for my time.

If you write, why do you do it?

Stuck in the middle with 2

I can’t prove it, but my hunch is most people who write a novel series start with book #1, then progress to book #2, book#3, etc. This seems like a sensible way to manage such a project. As I gaze longingly at this sensible method from afar, I can only blame myself for coming at this task ass-backward.

As I mentioned here, I had a long novel I decided to split into two. Here, I documented how the two books propagated themselves into three books. So what now? Four? No. I hope not – not yet anyway.

The good news is that drafts of books #1 and #3 are complete. This took a lot of rewriting, a good deal of new writing, and much careful rearranging. It is an accomplishment and I feel good about it.

Having stretched #1 to the left and #3 to the right, I turned to the middle to see what material was left to form the core of #2. I was shocked to find a total of 30 pages left to work with.

A 30-page manuscript is not a large base to build a novel upon, but that’s not even the daunting part. The paucity of pages is merely a symbol of the bigger issue. I’ve got a miles and miles of ground to cover between #1 and #3. Chronologically, I’ve got a couple of decades to pass. That’s a chore, but not the most difficult one. The task that makes me suck in deep breaths is the chasm I need to bridge in character development. There’s a long road of change between book #1 and book #3.

“See that little gap over there? I’d like you to fit book #2 in there nice and snug.”

Since books #1 and #3 already exist, books #2 is both a sequel and a prequel. It seems to me there are more constraints to writing a prequel than to writing a sequel. You can’t just take the story threads and run with them. They have to come out lined up with a future already in existence. When a story is both prequel and sequel, the threads have to line up at both ends.

Let’s say my characters need to begin book#3 at point Z. If #2 were a simple prequel, I could start them out at the most convenient point Y. But because #2 is also a sequel, I have to start them where they left book#1, point X. I have to show how the characters got from X to Y before they can embark for Z.

They have the better part of 20 years to make the legs of this journey which is more than enough time. The true question is how many scenes it will take. Every new scene eats up more pages, and the whole impetus of this operation was to avoid producing books that suffocate under their own weight.

Which leads us back to the obvious solution: a fourth book. That just doesn’t feel right. Maybe it will seem more right later on, but for now I’m set on wrestling with book#2 as a single entity. Is that daunting? Yes. Is it impossible? No. Will I pull it off? Stay tuned . . .

These are my kind of addicts

This should be fun.

My novel, A Housefly in Autumn, is the Selection of the Month for August at the YA Addicted Book Club on Goodreads.

I’ve never participated in an online book club event before, so it should be an interesting learning experience. I will be responding to comments and questions about the book as well as receiving some valuable feedback. I’m looking forward to the interaction.

For anyone interested, the YA Addicted Book Club is an open group on Goodreads, which means any member of Goodreads can join. It’s a relatively small group right now, which is great for fostering meaningful discussions among members.

For the Book Club discussion, you can get a free Kindle copy of the book from the moderator. (Instructions here)

Many thanks to Heather and the rest of the group for inviting me to participate.

I hope to see you there.

A Housefly in Autumn blurb:

Anders sacrificed his own promising future to save the life of child. Now he must decide whether to cling to the unlikely hope of regaining his old status, or spend his time making the most of the life fate dealt him. Though difficult to let go of rewards once promised, perhaps the greatest rewards are those earned by building new hope from the bits and pieces of wrecked dreams. A Housefly in Autumn is a historical novel intended for Young Adults and up.